Chris Navin

June 9, 2009

Roger Scruton In The American Spectator Via A & L Daily: Farewell To Judgment

Full article here:

So what’s lacking in the humanities?  Roger Scruton has some keen insights:

“The works of Shakespeare contain important knowledge. But it is not scientific knowledge, nor could it ever be built into a theory. It is knowledge of the human heart”

So forget the recent, and rather desperate, attempts to make the humanities into a science  (however…it’s been done before with some success).  Scruton suggests it’s been a long slide for the humanities to arrive where they’ve arrived:

“In the days when the humanities involved knowledge of classical languages and an acquaintance with German scholarship, there was no doubt that they required real mental discipline, even if their point could reasonably be doubted. But once subjects like English were admitted to a central place in the curriculum, the question of their validity became urgent. And then, in the wake of English came the pseudo-humanities—women’s studies, gay studies and the like—which were based on the assumption that, if English is a discipline, so too are they.”

And now that we’re left with somewhat balkanized and politicized departments of English, these departments have become a target of the political right, dragging many people into a nasty fight that eats up political capital:

“And since there is no cogent justification for women’s studies that does not dwell upon the subject’s ideological purpose, the entire curriculum in the humanities began to be seen in ideological terms.”

So how to restore the vision? Scruton advises to restore (and not eschew) judgment:

” Of course, Shakespeare invites judgment, as do all writers of fiction. But it is not political judgment that is relevant. We judge Shakespeare plays in terms of their expressiveness, truth to life, profundity, and beauty.”

This is deep insight and I think the better part of Scruton’s thinking in the article comes when he resists his own political (anti multi-cultural, pro-conservative, pro-church of England conservatism) impulses.  Here are the last few lines:

“It will require a confrontation with the culture of youth, and an insistence that the real purpose of universities is not to flatter the tastes of those who arrive there, but to present them with a rite of passage into something better.”

One could argue that this is necessary though how to arrive there is in doubt.

Here’s a quote from George Santayana:

 ”The young man who has not wept is a savage, and the old man who will not laugh is a fool.”

———————————————————————-

On another note:  Despite the importance of beauty, the refinement of our experiences through poems and prose, the difficult work of cultivating”taste” for ourselves as well providing a rite of passage for our youth:  Aren’t we still attaching the humanities to something else?

We know the humanities will never be a science.  Politics is always in conflict with the arts.   Much philosophy is indifferent to the humanities at best.   In fact, Plato banned them from his republic (good overview here).

One target here may be somewhat political as well:  anti-social constructionism and anti-multiculturalism, though I am speculating.

Just some food for thought.

See Also On This Site:  Philosopher Of Art Denis Dutton of the Arts & Letters Daily says the arts and Darwin can be sucessfully synthesized: Review of Denis Dutton’s ‘The Art Instinct’

Martha Nussbaum says the university needs to be defend Socratic reason and still be open to diversity:  From The Harvard Educational Review-A Review Of Martha Nussbaum’s ‘Cultivating Humanity: A Classical Defense of Reform in Liberal Education.’ 

Stanley Fish also says keep politics out of academia: From The Stanley Fish Blog: Ward Churchill Redux…

Scruton again has deep insight, but will Christian religious idealism have to bump heads with Islamic religious idealism?: From YouTube: Roger Scruton On Religious Freedom, Islam & Atheism 

Thanks to iri5

Add to Technorati Favorites

December 27, 2008

Elizabeth Spelke On Bloggingheads: Towards A Coalitional Mathematics?

Full diavlog here.

A very interesting discussion.

Just a few thoughts:

1Spelke is a psychologist at Harvard, who suggests that some of her research may hint at a biological basis for social grouping in humans  (babies perhaps show preference for people who speak their own language, or people who resemble their own caregivers as gateways to the social world and shared knowledge they seek to join and there may be some biological reasons for this).

2.  One of her solutions is to eventually point toward math (what joshua knobe here calls coalitional mathematics, or what is a rather long and philosophical view of mathematics…not as fixed, but as and ever changing body of the deepest knowledge we have that we can transcend and that can transcend many of the other limitiations that bind us).

So we use music, language, similarity at a very deep level to define ourselves as members of a group and the value of Spelke’s work as she sees it is in mapping a metaphysical realm that can highlight such limitations…

3.  Despite the value of Spelke’s work, I’m left with the question of why not just study math, or science…or even philosophy…instead of psychology?  

——————————–

Richard Feynman was apparently not too impressed with psychology, and explains why here in “Cargo Cult Science.”  Something to talk about anyways…

See Also On This Site:  A few doubts about philosophy and metaphysics:  From Bryan Magee’s Talking Philosophy On Youtube: Geoffrey Warnock On Kant

Add to Technorati Favorites

August 19, 2008

From The Guardian: Peter Conrad Reviews Books By Daniel Barenboim And Edward Said

Filed under: Media, Music, Public Debate — chr1 @ 7:03 pm
Tags: , ,

Full review here.

Conrad, a music critic, seems to be saying:  we don’t pay listen to Barenboim because of his philosophy, and we don’t read Said because he used to be a pianist.  Also (it’s personal for Conrad), perhaps many people are reading Said because he’s fashionable at the moment…

Best lines:

“Barenboim, who says that he reads Spinoza in his dressing room during intervals, worries about ‘musical ethics’ and fusses over ‘the moral responsibility of the ear’. I’m not sure that a sense organ can carry such a burden; we don’t ask our penises to possess a conscience.”

Add to Technorati Favorites

April 27, 2008

The Assad Brothers: Music While You Work

Filed under: Music — chr1 @ 10:51 am

These guys are pretty good.

Add to Technorati Favorites

March 18, 2008

The BigDog Via Andrew Sullivan Via Wired

Filed under: Current Events, Media, Music, Philosophy, Public Debate, Science — chr1 @ 4:17 pm

Really, you’ve got to take a look at this.

How do you create a robot that can respond anywhere near as well to a complex environment as a living organism does?

I’m reminded of Searle’s Chinese Room, and Deep Blue (really smart and really dumb), and Shakey.  

Do you aim for emotional attachment like the Japanese do?

See Also:  The BigDog promotional video set to Herbie Hancock’s Rock It.  You remember that video?  An Introduction to Artifical Intelligence to which someone will undoubtedly bring up Skynet.

Addition:  From Military.com: ‘This is the upgraded “Big Dog” from Boston Dynamics. The unit is gas powered, weighs 235 pounds, has a payload of 345 pounds, and can traverse a wide variety of terrain.’

Add to Technorati Favorites

February 22, 2008

Visualizing Music: From Maps To Stars

Filed under: Art, Music, Public Debate — chr1 @ 9:58 am

Strange Maps has a map of the world with the borders of countries and landforms arranged as musical notes.  In the comments there’s a link to someone who’s played it.

Do you remember the comedian Steven Wright; balding with a monotone delivery, deep and off the wall insights?

Watch the 1st minute of this video as he plays the stars.

In the spirit of Steven Wright, I’d like to point out that women often use music to connect with men; for intimacy and to get them to open up.  This often bothered me because I felt I was inside the creative imagination and achievement of some other guy.  Jealousy? 

See Also:  The Music Animation Machine’s visualization of Bach.

Add to Technorati Favorites

February 11, 2008

Mike Oldfield’s To France: By A Spanish Pianist…and Plato?

Filed under: Music, Philosophy, Public Debate — chr1 @ 9:53 am

Mike Oldfield wrote tubular bells, the eerie background music for the Exorcist.  He also wrote To France, a tribute to Mary Queen of Scots escape from England which is covered in the video above.  The song catches some of the spirit of English ballad and traditional folk while dealing with Protestant/Catholic subject matter.

Spaniards have a real interest in Oldfield, and I can’t help but wonder if there aren’t some shared Catholic traditions that spark the Spanish interest in Oldfield’s music (besides all the shared history).

………. 

On a related note, an emailer wrote me wondering why I had posts about music, when many other posts contain arguments which are contradicted by an indulgence in music.  I’d say there certainly is a lot of naivete and danger in seeking transcendance through music, which is so easily used by politicans, armies on the march, churches, dictators, …even witch doctors… to soften the mind rather than sharpen it, to incite the passions, and even perhaps to corrupt the spirit.

It’s not anything you won’t find in Plato, or in this essay on Plato, frankly:

This also meant that the artist is two steps removed from knowledge, and, indeed, Plato’s frequent criticism of the artists is that they lack genuine knowledge of what they are doing. Artistic creation, Plato observed, seems to be rooted in a kind of inspired madness.

So, good point, dear emailer. 

Add to Technorati Favorites

February 2, 2008

Saturday Break-Dave Brubeck: Take Five

Filed under: Music, Public Debate — chr1 @ 11:18 am

Yeah, everyone’s posted it and it’ll probably be removed due to copyright issues, but…

such a strange and mysterious song…even yo-yo ma wonders at it.

Add to Technorati Favorites

January 16, 2008

Herbie Hancock: Rock It

Filed under: Music — chr1 @ 9:45 pm

The singularly most creepy music video of my childhood;  playing with time and motion in music.  Still creepy…

Add to Technorati Favorites

January 8, 2008

Bach: Tocatta and Fugue in D Minor

Filed under: Music — chr1 @ 9:26 pm

I’m sure you’ve probably heard it before, but have you seen it before?

Different colors represent different voices, the length of each bar/spaces between bars represent the duration of notes in time.

Is this kind of visualization helpful for players? for you as a listener?

Addition:  Music Animation Machine webpage here.

Add to Technorati Favorites

Next Page »

Blog at WordPress.com.